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      <image:caption>CREATIVE NONFICTION | “Relevé: To Rise”</image:caption>
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      <image:caption>ATTICUS REVIEW | “The Greatest of Fears”</image:caption>
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      <image:caption>Potential Services via The Business Package: writing, editing, creating, publishing, designing, planning, marketing, launching, networking &amp; ongoing support</image:caption>
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      <image:caption>Potential projects supported via The Deadline Package: cover letters, resumés, cvs, college essays, higher-ed essays, industry publications, scholarship &amp; grant applications</image:caption>
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      <image:caption>THE RUMPUS | “Bottles” (visual art by david dodd lee)</image:caption>
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      <image:caption>THE SUN | Readers Write: Fantasy</image:caption>
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      <image:caption>Potential offerings via The Writer’s Package: mentorship, conferences, developmental editing, customized online creative writing courses, craft instruction, networking &amp; industry insights</image:caption>
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      <image:caption>Potential projects supported via The Deadline Package: cover letters, resumés, cvs, college essays, higher-ed essays, industry-specific publications, scholarship &amp; grant applications schedule a consult</image:caption>
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      <image:caption>Potential Services via The Business Package: writing, editing, creating, publishing, designing, planning, marketing, launching, networking &amp; ongoing support holla at ya girl</image:caption>
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      <image:title>Services - Need Help Writing?</image:title>
      <image:caption>I offer services designed to make your experience with words more manageable, enjoyable, and relational. I believe that 1) Writing well is impossible to do on your own; 2) Writing is a long journey—far more fun with a friend; and 3) Writing is for others: anything we write, whether for our business, artistic, or professional pursuits, should be purposefully crafted through a lens that sees a specific audience. Quality support and skills that honor the creative process of your writing over manufacturing a product are provided. As we honor the necessary steps of quality work, the best product will come. Whether you need a creative collaborator to hone your vision and get you started, a wordsmith with the time and tools needed to conceptualize and craft your ideas, or more structured support through mentorship, coaching, or editing, I’m hear to listen, learn, and lead you and your work to the next level. See current packages below. If you’re interested in working together, fill out the Contact form and I’ll follow up with a free 20-minute consultation to discuss your specific project, goals, options, and rates.</image:caption>
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      <image:title>Bio - Victoria sottosanti</image:title>
      <image:caption>writer. teacher. creator.</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>RELEVÉ: TO RISE | CREATIVE NONFICTION “My ballet teacher’s studio wall featured a black-and-white photograph of her dancing as the prima ballerina for Boston Ballet in the 1960s. Edra Toth was captured in one of her favorite positions, écarté, which translates from French as ‘separated’ or ‘thrown apart’ because of the way the dancer’s body seems pulled in two different directions…The fluid lines of her arms and legs glowed white against the black backdrop, and perhaps it was the old camera’s quality, but it was as if she were dancing as a mist, rising up out of the darkness…”</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>THE GREATEST OF FEARS | ATTICUS REVIEW “If you were to ask me what I fear most, I would tell you sharks. The smoothest beast of the sea with its gray back and white belly, jagged jawline and bloody teeth popping out of pink gums…”</image:caption>
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    <image:image>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>BONES | WHITEFISH REVIEW “‘You have a long journey ahead of you, if you want to take it,’ Ruth said…In her sixties now, she’s still long, slender, beautiful. Her hair cascades in red down her back and shines amber in the sun. Her round eyes wrinkle with hope…”</image:caption>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>FANTASY | THE SUN “Maybe I’ll just move down south,” my dad said. “Get a camper, take the dog.” I raised my eyebrows. “How would that work? Who would take care of you?” “I’m a grown man, Victoria. I don’t need anyone to take care of me…”</image:caption>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>I HAVE A QUESTION | BENDING GENRES “Where were you when I prayed on the way to school? That day. Every day after that day. Were you making copies for our first fifth grade lesson that morning? Were you feeding the machine, your manicured nails tapping at the buttons? Double-sided. Black ink. Fifteen copies…”</image:caption>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>ON GOING FAST | LITRO MAG, EDITOR’S PICK “It’s easier going fast. Even now, as I write this, I’m on 36 mg of Ritalin, drinking my second coffee of the day. Black with one shot of espresso. Usually I order a cold brew, but Starbucks was all out. When I pointed at the cashier and called him a sinner as a joke, he did not laugh…”</image:caption>
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      <image:caption>BOTTLES | THE RUMPUS “Shawn held the can of starter-fluid to the bottom of a glass jar and pushed the spout down, the spray pooling and foaming. I had never seen him so precise. Dedicated. He wore safety goggles from his mom’s woodshop—drills and wires hanging behind him on the wall of the one-car garage…” collage work by: DAVID DODD LEE</image:caption>
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      <image:caption>WHAT REMAINS | RUMINATE MAGAZINE “It was hard to breathe through my mask when I first saw it: rose-gold rays of the sunset stroking the floating bits of fractured cow-spine…”</image:caption>
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      <image:caption>THE PHONE | THE SUN My iPhone, with its thin black case and cracked screen, commanded my full attention as I swiped through other people’s lives…</image:caption>
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      <image:title>Publications - Make it stand out</image:title>
      <image:caption>REGENERATION | RUMINATE MAGAZINE “Two weeks before I started   chemotherapy, I stood in a bathroom  blow drying my long hair, holding the  locks like a lover. Like a wounded lamb,  already bleeding…”</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>TO STOP AND CONSIDER WHAT IT MEANS | THE WAKING “Someone once told me that when you bite your nails, it means something. It means something bad. That every time you stick your fingers in your mouth, you’re not just enjoying the chewiness of your flesh, the clean peel of the skin, the crisp cut of your nail that clicks down with your teeth. No—you’re anxious. They said it’s something worth thinking about…”</image:caption>
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      <image:title>Publications (Copy) - Make it stand out</image:title>
      <image:caption>“ON GOING FAST” — LITRO MAGAZINE (EDITOR’S PICK) “It’s easier going fast. Even now, as I write this, I’m on 36 mg of Ritalin, drinking my second coffee of the day. Black with one shot of espresso. Usually I order a cold brew, but Starbucks was all out. When I pointed at the cashier and called him a sinner as a joke, he did not laugh…”</image:caption>
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      <image:title>Publications (Copy)</image:title>
      <image:caption>“WHAT REMAINS” — RUMINATE MAGAZINE’S READERS’ NOTES “It was hard to breathe through my mask when I first saw it: rose-gold rays of the sunset stroking the floating bits of fractured cow-spine…”</image:caption>
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      <image:title>Publications (Copy)</image:title>
      <image:caption>“BOTTLES” — THE RUMPUS “Shawn held the can of starter-fluid to the bottom of a glass jar and pushed the spout down, the spray pooling and foaming. I had never seen him so precise. Dedicated. He wore safety goggles from his mom’s woodshop—drills and wires hanging behind him on the wall of the one-car garage…” ART BY: DAVID DODD LEE</image:caption>
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      <image:title>Publications (Copy)</image:title>
      <image:caption>“RELEVÉ: TO RISE” — CREATIVE NONFICTION “My ballet teacher’s studio wall featured a black-and-white photograph of her dancing as the prima ballerina for Boston Ballet in the 1960s. Edra Toth was captured in one of her favorite positions, écarté, which translates from French as ‘separated’ or ‘thrown apart’ because of the way the dancer’s body seems pulled in two different directions…The fluid lines of her arms and legs glowed white against the black backdrop, and perhaps it was the old camera’s quality, but it was as if she were dancing as a mist, rising up out of the darkness…”</image:caption>
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      <image:title>Publications (Copy)</image:title>
      <image:caption>“THE GREATEST OF FEARS” — THE ATTICUS REVIEW “If you were to ask me what I fear most, I would tell you sharks. The smoothest beast of the sea with its gray back and white belly, jagged jawline and bloody teeth popping out of pink gums…”</image:caption>
    </image:image>
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      <image:title>Publications (Copy)</image:title>
      <image:caption>“TO STOP AND CONSIDER WHAT IT MEANS” — THE WAKING “Someone once told me that when you bite your nails, it means something. It means something bad. That every time you stick your fingers in your mouth, you’re not just enjoying the chewiness of your flesh, the clean peel of the skin, the crisp cut of your nail that clicks down with your teeth. No—you’re anxious. They said it’s something worth thinking about…”</image:caption>
    </image:image>
    <image:image>
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      <image:title>Publications (Copy) - Make it stand out</image:title>
      <image:caption>“BONES” —WHITEFISH REVIEW “‘You have a long journey ahead of you, if you want to take it,’ Ruth said…In her sixties now, she’s still long, slender, beautiful. Her hair cascades in red down her back and shines amber in the sun. Her round eyes wrinkle with hope…”</image:caption>
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      <image:title>Publications (Copy) - Make it stand out</image:title>
      <image:caption>“I HAVE A QUESTION” — BENDING GENRES JOURNAL [forthcoming Aug 2021] “Where were you when I prayed on the way to school? That day. Every day after that day. Were you making copies for our first fifth grade lesson that morning? Were you feeding the machine, your manicured nails tapping at the buttons? Double-sided. Black ink. Fifteen copies…”</image:caption>
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